Barefaced Retro 6x10 Cab

What a piece of kit! Absolutely unbelievable and weighs next to nothing for such a huge piece of kit. With stunning red speaker cloth and Barefaced logo

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Barefaced info below -

The Six10 - the all-new fridge killer!

• Inspired by the '69er but with a bigger sweeter tone and a lot more max output especially down low

• Based around our unique 10CR250 driver, a retro sounding high output ferrite 10" loudspeaker

• Using our innovative hybrid enclosure which sounds and feels like a sealed cab but can play loud and bring the thunder like a ported cab

• Built strong, light and stiff for maximum gigging ease and great tone

10CR250 - the ultimate old school driver?

Like our ground-breaking 12XN550, the 10CR has excellent polar response thanks to its cunning cone design but has a softer prettier smoother tone which flatter classic bass sounds, from clean to dirty. It has unusually high volume displacement for a 10" bass guitar driver so it can produce big lows without farting out and its unique voice coil and diaphragm have extended treble response giving clarity without harshness.

Hybrid Resonator Enclosure

This mimics the transfer function of a classic sealed cab - a bump in the upper bass for that fat old school feel plus a shallow 12dB/octave roll-off through the lows for tight well controlled bottom which works well in all kinds of venues and keeps sound engineers happy. The Retro10 hybrid resonant system increases the back pressure on the drivers, reducing their excursion and improving their efficiency whilst increasing maximum bass output thanks to the extra air movement provided by the resonator.

Barefaced Line Array

All six drivers in the Six10 work in unison to produce big bass and punchy mids but to improve dispersion one column of three has treble output - just like a PA line array.

It might seem counter-intuitive but the dispersion of a wave source is inversely proportion to the size of the source vs the wavelength - so side by side 10" drivers can have good dispersion through the lows and lower mids but once you get into the higher mids and treble the lateral dispersion narrows drastically. By only letting higher mids and treble come from one column of speakers we get much better dispersion through those frequencies so you have more consistent tone around the stage and venue. Not something you'll notice in a shop but something that can feel life changing on noisy gigs.